Sunday, January 31, 2016

Another Turn of the Daily Photo Carrousel

I am back at it. I started a daily photo project for 2016/366. Checking out my albums in Flickr, I found that I have never been able to complete the daily yearly album. That is challenging. Can I succeed this year?

I take or blink photos very often. It is something that I started doing in 2010 with the stimulus of the dailyshoot (snif, I miss that) as well as the photographers who commented my photos and published their own, they still do, on their blogs.

I found that I needed to find a new internal challenge this time. I was never pleased with shooting with my Samsung phone, so I decided to explore that as a way of getting out of my comfort zone. That is one push for me. Another thing I had always refused to do is to touch my photos with post editing, except for cropping, which is part of composing for me. So now I am making it a point of altering my photos, at times, beyond recognition. I try to see the image as an inspiration to draw and my photo as a model in the making.

A good old photo is still my love, though. It took me quite a few days to obtain a decent shot at these White Petals. The photo is not postprocessed and although it is not perfect, it satisfies me.

So far, I have completed my first month of daily shooting. I know that once my holidays are over and I get back to the teaching and studying routines, it is going to be harder to keep it up. What keeps me going now is trying to learn to see things differently, very differently. So I guess that when photo subjects seem scarce or I cannot find myself in the zone for inspiration, it is not about the objects around me being too familiar, it is about shifting the way I see them.

That seems to be all the prompting I need, at least for now.

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Sunday, October 16, 2011

Onwards and Outwords

This is another chapter in my informal learning of photography. It could be called:

Looking for New Learning Paths.

The sudden come to an end of the Dailyshoot assignments has set me into looking for alternatives to drive my visual creative journey. As uncle Whitman would say,

All goes onwards and outwords
nothing collapses
And to die is different from what anyone supposed
and luckier.
(The word's are Whitman's; the line arrangement is the way I read it today).

I admit I do miss the Dailyshoot. I've learnt a lot with it as well as from the fellow players. Oddly enough, I welcome this end, because it is pushing me further into refining what I value about creating images and proceed to seize my learning in my own hands.

I've been exploring what other former dailyshooters are doing now and I've found the Scavenge Challenge to be a nice twist and trigger for those who found the repetition of the photo assignments was a bit of a turn off. I'm giving it a try.

Here's my first post-processed photo with Picasa. (Maybe one day I'll regret posting this for bad quality, but it's a start, a stepping stone.) The box of photo tricks wants to be opened.


Cubic
I kept looking for prompts. I found that Gwen came up with a project of her own creation. It is simple and powerful.

Her project is called a 100 Possibilities and it is basically to shoot a book in diverse creative contexts. Variations on a theme was also used by BZTraining , who solved every single dailyshoot assignment with his two dogs. It rendered great results in spite of (or with the help of) his self-imposed rule of the game. The most important thing is, as Gwen states it, to help yourself "push boundaries for a while".

Browsing the project, I came across a poetry quote that someone else provided in full in the comments. Funny that what had actually made me click on it was the image of the magnifying glass, which I thought I would use for one my own photos.

The interesting thing is that Gwen has found a way to prompt herself. She is to find new contexts for her favourite book for a 100 days. Talk about keeping it simple, with a constraint that enables creativity. Her take away from the Dailyshoot is not just about photography, but about autonomy.

Inspiring.

Why not? And why not combine it with bits of the poetry I love so much I thought of those long Song of Myself catalogues that could easily become postcards and then, perhaps a video. So in my fledgeling thoughts of mashing up interests that drive my passion, I stopped to think that it couldn't be me the first one to have come up with that idea. After all, Whitman is cosmic.

A quick search in Flick groups for Whalt Whitman led me to a group by students at a university with a link to the full project called Looking for Whitman. The site is full owesome bits of inspiration that can move a brain muscle or two. More about it later, for the project is worthy of a separate post.

I recently read somewhere that according to stats (so it must be true?), it would take three lifetimes to read all of the Internet content available today. Why do we stay on the same circles of friends then? Is it because they are the best curators we have found or because we are sometimes a bit lazy to push ourselves away from our comfort zone?

And yet.

Today, as I set my mind firmly into going away from the recommendations of my Twitter stream this morning, convincing myself that I am trying to pursue what I'd like to do with my creativity, I land on a project where Jim Groom, who is in my trusted network of curators and inspirers, has played a part.

Wait a second. I was on his website last night to create my first MacGuffin assignment! How come I've been going round in circles? My intention was to sail the vast open web, to go elsewhere, far out. This doesn't seem to follow the logic of serendipity. Six grades separation maybe?

I'd call it an online dream.

Over a month ago, I know Jim read and liked something I said to Alan about the mysterious nature of our connections, about the Internet being like a dream, only it's a real one.

Jim responded via Twitter:


  1. Jim Groom
    jimgroom @fceblog Dream a dream for me :)
-- this quote was brought to you by quoteurl

Come to think of it, it might have been a disguised assignment...

Done.

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Wednesday, September 21, 2011

What I've Learnt with the Dailyshoot

As much as I love photography, it hasn't crossed my mind to go to a formal course. Maybe not yet. But with the wealth of information online and my enthusiasm to explore on my own I don't see room for a formal course in the near future.

I have been shooting photographs every day for about 300 days now. Following the Dailyshoot prompts has given me some pleasant surprises. I have learnt quite a lot informally and I think it is a good idea to continue documenting it. Here is an illustrated summary of my photo discoveries.


-If I let go of the picture I have set out to find, the one right in front of me may be even better than what I had imagined.

Pietà


-Overdoing it doesn't always render a better shot. The first one may be your best one.

Tree Parade

-Prompts make me take pictures I woudn't otherwise have taken.

Circles of Delusion
-It's a good idea to priorize fluency over accuracy. Do it fast. It's not about the best shot ever, but a fair enough shot. Play on. You'll take another one tomorrow.

Ride

-The photographer is more important than the camera. People do incredible things with an iPhone. I don't have an equipment with plenty of options. So I tend to get more carried away by composition than by technical aspects of aperture, focus and overall quality of the photo.

Shine


-Think light, then shoot. Even when you've found the cutest photo subject.

Amigos

-Be there. Your photo can be in that place you walk by every every day. Notice the details.

Thoughts

-The trivial is as good a photo subject as a work of art. Shooting daily, you learn to photograph anything in front of you. Point of view does it.


Remotely Viewed

Re-reading what I just wrote, I find it sounds a bit like rules. I do not know if there are rules to learn informally. Certainly there are patterns shaping in what I do. Experimenting daily you find beliefs about learning emerging quickly. This post is about jotting down those ideas before they are challenged by future learning. This is what works for me now.

I do have one rule. One rule only I am sure to follow: keep it up.




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Sunday, April 24, 2011

It's a Flickering World

The world is small indeed and Flickr can make it seem a small village. Early this month, someone in Austria emailed me with a republishing permission request for this picture:

Thumbed

http://www.flickr.com/photos/79066620@N00/5558170700

Thumbed
The picture has recently been publised in a students' magazine called JAWS (journalists, artists, writers, students). You can see a taste of it here. Quite inspiring for any ESL or EFL writing class.

Mina, the magazine editor, was kind enough to send me a pdf with the article my picture illustrates. There I found a teacher's voice who could be someone working next to me.

Susanne Kopf writes:

"Another means of transportation, which helped me up my reading was the train. Having family and sometimes even visiting friends in a different city is a great motivation to go there. One train ride usually took about 3,5 hours, the equivalent of a third of a book."(1)

That's about the length of my train journey to visit my family. That's how I got most of my reading done while commuting daily to study in Buenos Aires a long time ago.

It goes on...

"Sometimes the line between private and school reading was blurred by me realizing that a book I had ordered just for fun actually fit a course I was taking. This should have thrilled me, as it meant that what I enjoyed doing just for myself was also valuable academically. " (1)

Blurring the lines. That's it. Borges in his prologue to Borges Profesor argued that 'obligatory reading' was a nonsense phrase. How could you obligatorily enjoy reading? (Quote source in Spanish)

Lots of coincidences with Mina as a node in the connection. She had no idea the picture in Flickr had been taken by an English language teacher. Mina works for a magazine which belongs to the English and American Studies Department of the Karl Franzens-Universität at an Austrian university.

What Mina doesn't know yet is what the book in the picture is about:






















If there were any more coincidences that linked us, I would not be surprised. Perhaps this post reaches Susanne? I sense this story may have a sequel. For now, I just enjoy to see what these connections through our published content can lead to. As I wrote in my Flickr profile, take me wherever you are.


(1)
My Semester of Reading by Susanne Kopf. JAWS Magazine, KF University Graz. Issue 21, pages 20-21. April 2011.

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Sunday, November 28, 2010

A reply to Rabiz Raisdana

Rabiz Raisdana has published the result of a collaborative project to create video. My story of how I got to know about this and why I participated is detailed in Addendus, my blog in Spanish.


Here is the comment I wrote to Rabiz in his blog (awaiting moderation):

Thank you for this, Rabiz.

Pleasantly surprised and speechless at first, I was able to articulate some words in my blog in Spanish about all this (linked to my name).

In a nutshell, I explain there how I've been following your posts lately and why I participated. I ventured to translate a paragraph from this post that, in my opinion, summarizes why I feel I sync with your idea of learning.

@wmchamberlain
I often used to ask myself how could these things be translated into classroom practice. Certainly a valid question. However, I've decided to put off thinking about it. I've found that it often leads to closing a learning cycle too quickly with practical imperatives. I couldn't let such a question deviate me from experimenting anyway. Perhaps it is someone else who can help me see how that is to be done.

For all I know, I could very well be losing some of my time. But important changes do not come in isolation. They tend to be a part of a continuum. So I keep at it. Who knows when I will create a successful classroom practice with my playing today? What will it look like? Definitely it will be some mix of this with new and unknown contributions from students or network.

Probably I will not even be teaching them. We'll be learning together seems more like it.

Image:
Dry, by fceblog

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Monday, November 15, 2010

Picture That

Today I've spent quite some time on Flickr. I've been honouring the present of a Pro account I received from Gabriela.

I've had a Flickr account since 2007. A camera since 2008. Let's say I like taking my time.

It was only last month -again with a wink from Gabriela- that I noticed there are a few photography groups on Facebook where people decide to go out and share tricks, pictures and a coffee in Buenos Aires. Probably the best use of Facebook so far. Despite some anecdotes unworthy of a post, all in all, a pleasant experience that has taken me to a next learning and engagement level. I had been simply taking pictures of nice things and now I am thinking where the light is coming from. It's a start.

As much as I've found many of my overseas tweeps inspiring with their pictures, I realise I needed to be next to other amateur photographers to play with, to pull myself out of my private albums and start being there.

Outdoors, I move confidently with my camera and do not mind making mistakes. Every now and then, I need to show one or two pictures to the person next to me and get some instant feedback. This makes a difference for my learning. Once the picture day is done, taking a look at the way others have worked with the same objects is so revealing, both about photographs and their authors. Full learning circle.

Back at home, I spend a long time pondering which picture to publish. Does everyone go through this? Will I get more fluent or more obsessed with details? I look at my older shots with critical eyes, but I've decided the learning journey has to be registered. Period. Moving on...

The pictures at the Recoleta Cemetery are probably my best so far. I must admit, though, the place is so inspiring even a beginner like me can obtain something good.



























Everything I'm publishing now are raw pictures and some cropping. Just barely played with Picasa editor, but can't help feeling it's a huge time eater. Excuses? Perhaps.

Maybe I just want to learn by plunging into the informal practice pool. I'd like to wait until I sense my pictures point me to a need of technical advice, a few touches of editing or a little help from my friends.


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